On Thu, 5 Nov 2020 at 17:45, Martin Straeten <[email protected]>
wrote:

> You might use this:
> https://pixls.us/articles/profiling-a-camera-with-darktable-chart/
> But this approach isn’t useful when using filmic, since color lookup table
> and tonecurve are mandatory.
> Best solution to get nikon colors is using the software provided by nikon
> ;)
>
> Am 04.11.2020 um 23:36 schrieb Germano Massullo <
> [email protected]>:
>
>  Good day, I have shoot the following photo in JPEG+RAW and I would need
> your help in reproducing the colours of the camera JPEG in dartkable RAW
> editing.
>
> This is a Nikon Z6 JPEG
> https://germano.fedorapeople.org/canc/pantheon/original_z6_JPG.JPG
>
> here instead the result of my elaboration of the RAW file
> https://germano.fedorapeople.org/canc/pantheon/darktable_edited_raw.jpg
>
> This is the XMP file
> https://germano.fedorapeople.org/canc/pantheon/DSC_1075_05.NEF.xmp
>
> I cannot manage to achieve the same colours, playing with the colour
> balance did not help because it turned too much "reddish" the whole
> picture. Any idea?
>
> Thank you for your time
>
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-- 
Not really answering the direct question here, but making an observation
that many others have said before me. If you want your image to look like
the cameras JPG then use the JPG. To me the whole idea of using RAW files
and processing in DT is to hand-craft my own image how I as the
photographer/artist want to render the scene. When you first start out
processing RAW images as an inexperienced user you will struggle to produce
an end product as good as the camera's JPG. But then with  experience you
will end up cringing at the JPG that comes out of the camera.

To partly address the question originally asked, I would suggest creating
some presets or styles in DT to apply to images quickly to give a starting
point that pleases you. I would also comment that Filmic V4 is giving me a
very nice starting point for most of my images compared to the base curve
options or Filmic V3.

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