OK, let me substitute 'not quite white' instead of grey.

Imagine what is probably the most frequent use case of blown out areas in 
clouds.  Rather than losing all detail my thoughts are that it might be best to 
do something like map (255,255,255) to white but say (255,254,243) to some 
averaged value such as (254,254,254).  That would avoid colour casts but still 
avoid throwing away such highlight detail as remains in the unblown channels.  
I think it would look better than a large expanse of pure white.

But retaining colour information would be better provided it doesn't cause 
colour casts. Raw Therapee have put a lot of work into this but even there you 
still you get colour casts, sometimes. Whenever we invent data with some 
interpolation algorithm there is always going to be the odd example that throws 
it.

I haven't worked on a blown colour casted highlight reconstruction recently, 
but it strikes me that we can perhaps deal with such colour casts more easily 
in dt than any of the other raw converters.  Let's say our reconstruction 
causes a typical magenta colour cast in the reconstructed areas around totally 
blown highlights - I suspect we could just use our parametric masks to run a 
magenta subtracting colour change just on the brightest pixels and if necessary 
add a drawn mask as well.

-----Original Message-----
From: Chris Siebenmann [mailto:c...@cs.toronto.edu]
Sent: 07 June 2013 15:13
To: Rob Z. Smith
Cc: darktable-users; c...@cs.toronto.edu
Subject: Re: [Darktable-users] Best way to recover highlights that are blown in 
processing?

| On 13-06-06 10:14 AM, Chris Siebenmann wrote:
| > I would be happy to see a highlights reconstruction option for 'if
| >      any channel is clipped, set the pixel to white'. I might even turn
| >      it on all the time.
[...]
|
| It might be nicer if such an option set the pixel to grey rather than
| white using the values of the remaining unblown channels to take a
| best guess at how near to full white that grey should be.

 My thinking on this is that white splotches on pictures look less ugly than 
grey splotches. To some extent we are trained (especially now) to expect very 
bright areas in pictures to be white; I'm not sure that very bright areas 
looking grey instead will look at all pleasent. I wouldn't be surprised if they 
came out looking rather wrong.

        - cks

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