Surely the best thing to do is to just shoot normally, expose properly and, if 
the Nikon base curve is excessively boosting highlights, use a different curve. 
 I certainly wouldn't want to go around underexposing my shots just to suit a 
particular raw development tool whether this is dt or not.

You might try one of the Pentax curves I use, they don't seem to ever cause 
this problem for me.  I assume that the Nikon curve was constructed to mimic as 
far as possible the appearance of jpegs straight out of the camera and that 
involved some sort of bright tone lift.  If you aren't worried about 'exact' 
match of jpeg and 'out of the box' processed raw files there seems nothing 
wrong with just using a curve that doesn't have effects you don't want.

Rgds,
Rob.

-----Original Message-----
From: Chris Siebenmann [mailto:c...@cs.toronto.edu]
Sent: 06 June 2013 17:18
To: David Vincent-Jones
Cc: darktable-users@lists.sourceforge.net
Subject: Re: [Darktable-users] Best way to recover highlights that are blown in 
processing?

| Something that I now find that is more effective is the use of the
| channel-mixer along with blentif. I also am using the lightness tab to
| select the brightest pixels and then I pull the red values slightly
| back which gives the blue values a chance to be seen.
|
| I have however become a lot more cognicent of the problem during the
| shooting session in an effort not to have to deal with this situation
| later on.

 As far as I can see the only real way to deal with this during the shooting 
session is to underexpose significantly[*], unless I'm missing something. The 
current state of affairs really seems to be that bright but unclipped 
highlights will be shoved into over-exposure by darktable's base curves (and 
sometimes other processing); to avoid this you must avoid bright highlights in 
the RAW, ergo underexposure.

(It is easy enough to see this happen by turning on overexposure markers and 
then flipping back and forth in the initial history stack between 'sharpen' and 
'base curve'. The difference in my sample NEF is quite
striking.)

 If I had a suitable step wedge test chart, I would actually do the experiment 
to find the first stop of highlights that darktable's Nikon base curves push 
into blown highlights. Someone familiar with the code and the base curves 
wouldn't even need to do any tests. My guess is that the important thing to 
know is the L level that is effectively blown; base curves themselves are 
relatively readable in src/iop/basecurve.c.

        - cks
[*: here I mean 'underexpose well beyond the point needed to avoid
    hard clipping'.]

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