It doesn't work on blown clouds of course ... it turns the clouds blue, 
which is not exactly what one would want but if it is a bare sky that is 
blown it works fairly well.

David
On 13-06-07 12:22 PM, johannes hanika wrote:
> wow, that is a surprisingly cool trick, works really well. thanks for the
> hint (i'm still going to fix the highlights module..).
>
> -jo
>
>
> On Sat, Jun 8, 2013 at 4:06 AM, David Vincent-Jones 
> <davi...@frontier.com>wrote:
>
>> I am noticing that with some blown sky situations if I use a parametric
>> mask on the magenta area and then use the channel mixer to drop the red
>> value to that of the green value, some level of the blue sky can often
>> be recovered.
>>
>> David
>>
>> On 13-06-07 08:22 AM, Rob Z. Smith wrote:
>>> OK, let me substitute 'not quite white' instead of grey.
>>>
>>> Imagine what is probably the most frequent use case of blown out areas
>> in clouds.  Rather than losing all detail my thoughts are that it might be
>> best to do something like map (255,255,255) to white but say (255,254,243)
>> to some averaged value such as (254,254,254).  That would avoid colour
>> casts but still avoid throwing away such highlight detail as remains in the
>> unblown channels.  I think it would look better than a large expanse of
>> pure white.
>>> But retaining colour information would be better provided it doesn't
>> cause colour casts. Raw Therapee have put a lot of work into this but even
>> there you still you get colour casts, sometimes. Whenever we invent data
>> with some interpolation algorithm there is always going to be the odd
>> example that throws it.
>>> I haven't worked on a blown colour casted highlight reconstruction
>> recently, but it strikes me that we can perhaps deal with such colour casts
>> more easily in dt than any of the other raw converters.  Let's say our
>> reconstruction causes a typical magenta colour cast in the reconstructed
>> areas around totally blown highlights - I suspect we could just use our
>> parametric masks to run a magenta subtracting colour change just on the
>> brightest pixels and if necessary add a drawn mask as well.
>>> -----Original Message-----
>>> From: Chris Siebenmann [mailto:c...@cs.toronto.edu]
>>> Sent: 07 June 2013 15:13
>>> To: Rob Z. Smith
>>> Cc: darktable-users; c...@cs.toronto.edu
>>> Subject: Re: [Darktable-users] Best way to recover highlights that are
>> blown in processing?
>>> | On 13-06-06 10:14 AM, Chris Siebenmann wrote:
>>> | > I would be happy to see a highlights reconstruction option for 'if
>>> | >      any channel is clipped, set the pixel to white'. I might even
>> turn
>>> | >      it on all the time.
>>> [...]
>>> |
>>> | It might be nicer if such an option set the pixel to grey rather than
>>> | white using the values of the remaining unblown channels to take a
>>> | best guess at how near to full white that grey should be.
>>>
>>>    My thinking on this is that white splotches on pictures look less ugly
>> than grey splotches. To some extent we are trained (especially now) to
>> expect very bright areas in pictures to be white; I'm not sure that very
>> bright areas looking grey instead will look at all pleasent. I wouldn't be
>> surprised if they came out looking rather wrong.
>>>           - cks
>>>
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