For gently 'flushing' the area to white, 'global tonemapping' is really 
the easiest solution. Nice!

David

On 13-06-09 11:55 AM, johannes hanika wrote:
> this works really well, too. i wonder if we should collect all those cool
> tricks in a blog post. i prefer `global tonemapping' because it blends in
> more nicely into the non-reconstructed parts.
>
> for clipped regions i still used the reconstruction mode of the highlights
> module (to get white details which tonemapping will bring down).
>
> or alternatively i switched off the highlights module and used conditional
> blending to grep for magenta in tonemapping/channel mixer/monochrome.
>
> ultimately i guess it's worth designing a convenience module combining the
> best of those techniques and providing easier access. should be easy to
> create those blend mask automatically from the input values.
>
> cheers,
>   jo
>
>
>
>
> On Sun, Jun 9, 2013 at 8:47 AM, Markus Jung <maju.j...@web.de> wrote:
>
>> I have just found something which works quite fine for me, even if the
>> sky is fully blown out during processing:
>>
>> - Process for the dark regions of your image
>> - Activate the module "tonemapping"
>> - Set contrast compression to 1,0 and use blendif to limit the effect of
>> the module to the bright parts of the image (for example 140-255)
>> - Use mask blur (for example 2.5) to prevent halos and other ugly effects.
>>
>> Regards,
>> Markus
>>
>> Am 28.05.2013 23:42, schrieb Chris Siebenmann:
>>>   A number of darktable processing steps can push unclipped RAW channels
>>> into overexposure under some circumstances (for example, the standard
>>> Nikon base curve not infrequently blows highlights out on me). As a
>>> relative beginner at darktable, I'm interested in people's views on the
>>> best and easiest way to recover the highlights in this case.
>>>
>>>   I think that what I want at a conceptual level is to pull the
>>> highlights down (I assume inevitably reducing highlight contrast),
>>> but there may be something that gives a better visual look. Things
>>> I've tried, without universal success:
>>>
>>> * the Shadows and Highlights module often doesn't really reduce the
>>>    blown highlights very much (or at all) and can give me an unnatural
>> look
>>>    (this may mean that I need to change the 'soften with' setting).
>>>
>>> * the Zone module also doesn't seem to be able to pull down the
>>>    brightness of the blown highlights, although it can be used on things
>>>    that aren't too bright.
>>>
>>> * Tone curves have defeated my ability to make good fine adjustments at
>>>    the bright end of the curve without screwing up the rest of the image.
>>>    I assume it's possible but I'm clearly not doing something right.
>>>    (I've tried setting the linear preset to freeze most of the 'curve'
>>>    and then monkey around only with the top end.)
>>>
>>>    (I suspect that this is the right solution and what I want to do is
>>>    develop some sort of 'highlight recovery' preset, but it's beyond my
>>>    current darktable skill.)
>>>
>>> * the Levels module won't let me move the white point out to the right
>>>    (which I think might have roughly the effect I want but I could be
>>>    wrong about).
>>>
>>> Since I suspect that this sort of question always works better with an
>>> example, here's a sample D7100 NEF that exhibits the sort of 'blown in
>>> processing' effect that I'm talking about:
>>>
>>>        http://www.cs.toronto.edu/~cks/tmp/darktable/DSC_1101.NEF
>>>
>>> (This picture has some genuinely clipped areas, but only a small
>>> number; many more blow out with the default Nikon tone curve.)
>>>
>>> (Note that I'm presenting this for illustrative purposes; I'm less
>>> interested in how to process this specific picture than in how to
>>> recover highlights in the general case that this picture is an example
>>> of.)
>>>
>>>   Thanks in advance to anyone who has suggestions, guidance, etc.
>>>
>>>        - cks
>>>
>>>
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