Sorry, one misstake: 0-140, not 140-255 ;)

Am 08.06.2013 22:47, schrieb Markus Jung:
> I have just found something which works quite fine for me, even if the
> sky is fully blown out during processing:
> 
> - Process for the dark regions of your image
> - Activate the module "tonemapping"
> - Set contrast compression to 1,0 and use blendif to limit the effect of
> the module to the bright parts of the image (for example 140-255)
> - Use mask blur (for example 2.5) to prevent halos and other ugly effects.
> 
> Regards,
> Markus
> 
> Am 28.05.2013 23:42, schrieb Chris Siebenmann:
>>  A number of darktable processing steps can push unclipped RAW channels
>> into overexposure under some circumstances (for example, the standard
>> Nikon base curve not infrequently blows highlights out on me). As a
>> relative beginner at darktable, I'm interested in people's views on the
>> best and easiest way to recover the highlights in this case.
>>
>>  I think that what I want at a conceptual level is to pull the
>> highlights down (I assume inevitably reducing highlight contrast),
>> but there may be something that gives a better visual look. Things
>> I've tried, without universal success:
>>
>> * the Shadows and Highlights module often doesn't really reduce the
>>   blown highlights very much (or at all) and can give me an unnatural look
>>   (this may mean that I need to change the 'soften with' setting).
>>
>> * the Zone module also doesn't seem to be able to pull down the
>>   brightness of the blown highlights, although it can be used on things
>>   that aren't too bright.
>>
>> * Tone curves have defeated my ability to make good fine adjustments at
>>   the bright end of the curve without screwing up the rest of the image.
>>   I assume it's possible but I'm clearly not doing something right.
>>   (I've tried setting the linear preset to freeze most of the 'curve'
>>   and then monkey around only with the top end.)
>>
>>   (I suspect that this is the right solution and what I want to do is
>>   develop some sort of 'highlight recovery' preset, but it's beyond my
>>   current darktable skill.)
>>
>> * the Levels module won't let me move the white point out to the right
>>   (which I think might have roughly the effect I want but I could be
>>   wrong about).
>>
>> Since I suspect that this sort of question always works better with an
>> example, here's a sample D7100 NEF that exhibits the sort of 'blown in
>> processing' effect that I'm talking about:
>>
>>      http://www.cs.toronto.edu/~cks/tmp/darktable/DSC_1101.NEF
>>
>> (This picture has some genuinely clipped areas, but only a small
>> number; many more blow out with the default Nikon tone curve.)
>>
>> (Note that I'm presenting this for illustrative purposes; I'm less
>> interested in how to process this specific picture than in how to
>> recover highlights in the general case that this picture is an example
>> of.)
>>
>>  Thanks in advance to anyone who has suggestions, guidance, etc.
>>
>>      - cks
>>
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> 
> 
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