Play a bit around with the threshold parameter of the
highlight-reconstruction module.
I just have observed some nice results using LCh recovery and threshold
of 0.9, the colors have been a bit wrong (green/magenta instead of
blue/white), but i was able to fix this with color correction and
blendif, too. And the sky has been blown out nearly hopelessly ...

The tonemapping-trick recovers only highlights you have blown during
processing, highlights which are blown out in RAW can not be recovered
this way.

Regards,
Markus

Am 09.06.2013 23:31, schrieb Roumano:
> Hi,
> 
> I have tested it, yes i can recover details on highlihts but get some
> magenta area instend of white... (tested on a test image heavy over
> exposed)
> 
> The best way to remove them after is to use to channel mixer with
> blendif H, input, magnenta color ?
> 
> Or i doing something wrong & you can share a style for exemple ? 
> 
> Regards
> 
> 
> Le samedi 08 juin 2013 à 23:02 +0200, Markus Jung a écrit :
>> Sorry, one misstake: 0-140, not 140-255 ;)
>>
>> Am 08.06.2013 22:47, schrieb Markus Jung:
>>> I have just found something which works quite fine for me, even if the
>>> sky is fully blown out during processing:
>>>
>>> - Process for the dark regions of your image
>>> - Activate the module "tonemapping"
>>> - Set contrast compression to 1,0 and use blendif to limit the effect of
>>> the module to the bright parts of the image (for example 140-255)
>>> - Use mask blur (for example 2.5) to prevent halos and other ugly effects.
>>>
>>> Regards,
>>> Markus
>>>
>>> Am 28.05.2013 23:42, schrieb Chris Siebenmann:
>>>>  A number of darktable processing steps can push unclipped RAW channels
>>>> into overexposure under some circumstances (for example, the standard
>>>> Nikon base curve not infrequently blows highlights out on me). As a
>>>> relative beginner at darktable, I'm interested in people's views on the
>>>> best and easiest way to recover the highlights in this case.
>>>>
>>>>  I think that what I want at a conceptual level is to pull the
>>>> highlights down (I assume inevitably reducing highlight contrast),
>>>> but there may be something that gives a better visual look. Things
>>>> I've tried, without universal success:
>>>>
>>>> * the Shadows and Highlights module often doesn't really reduce the
>>>>   blown highlights very much (or at all) and can give me an unnatural look
>>>>   (this may mean that I need to change the 'soften with' setting).
>>>>
>>>> * the Zone module also doesn't seem to be able to pull down the
>>>>   brightness of the blown highlights, although it can be used on things
>>>>   that aren't too bright.
>>>>
>>>> * Tone curves have defeated my ability to make good fine adjustments at
>>>>   the bright end of the curve without screwing up the rest of the image.
>>>>   I assume it's possible but I'm clearly not doing something right.
>>>>   (I've tried setting the linear preset to freeze most of the 'curve'
>>>>   and then monkey around only with the top end.)
>>>>
>>>>   (I suspect that this is the right solution and what I want to do is
>>>>   develop some sort of 'highlight recovery' preset, but it's beyond my
>>>>   current darktable skill.)
>>>>
>>>> * the Levels module won't let me move the white point out to the right
>>>>   (which I think might have roughly the effect I want but I could be
>>>>   wrong about).
>>>>
>>>> Since I suspect that this sort of question always works better with an
>>>> example, here's a sample D7100 NEF that exhibits the sort of 'blown in
>>>> processing' effect that I'm talking about:
>>>>
>>>>    http://www.cs.toronto.edu/~cks/tmp/darktable/DSC_1101.NEF
>>>>
>>>> (This picture has some genuinely clipped areas, but only a small
>>>> number; many more blow out with the default Nikon tone curve.)
>>>>
>>>> (Note that I'm presenting this for illustrative purposes; I'm less
>>>> interested in how to process this specific picture than in how to
>>>> recover highlights in the general case that this picture is an example
>>>> of.)
>>>>
>>>>  Thanks in advance to anyone who has suggestions, guidance, etc.
>>>>
>>>>    - cks
>>>>
>>>> ------------------------------------------------------------------------------
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>>>>
>>>
>>>
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>>
>>
>>
> 
> 
> 


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