Well I randomly picked the first and third articles you quote to read and 
amazingly both of them appear to support the generally understood position that 
RAWS exposed to the right, short of clipping, produces optimum results rather 
than the opposite you are suggesting.

a) Dpreview article: The OPENING WORDS in the first article you quote actually 
say the opposite.

'Sensors are linear devices. If you double the amount of light, the sensor 
output will double, as long as the pixels are not full[1]. Once a pixel reaches 
full capacity, it will give a constant or "clipped"'

b) camera_characterisation.pdf:  Have you actually picked an article that has 
pretty much nothing to do with the point but full of maths in the hope no-one 
would want to read it? :-)  I did have a quick look and found almost nothing of 
relevance, but what I did find were side comments supporting the general 
perception that linearity is poorest at low signal values i.e. you want to 
overexpose to reduce these. There are also some graphs showing this much more 
clearly but not reproducible here.  A quote from this article is as follows:

'The Sony DXC-930 camera which we used for our experiments is quite linear for 
most of its
range, provided it is used with gamma disabled. However, in all three channels 
it has a substantial
12
response to no light (camera black) as well as a slight non-linearity for small 
pixel values'

I'll accept that very long exposures have other things going on but in general 
voltage stored in photo sites is directly proportional to the number of photons 
they trap, as explained in that first article.  Then that voltage is read by an 
ADC, as you say an ADC is not perfect but will typically have an accuracy 
expressed as a % of full voltage range.  That means the ADC will be more 
accurate when it measures the higher voltages and less accurate on the lower 
values.  Just about everything argues that for optimum results (if you are 
prepared to go to the trouble) the way is to shoot RAWs exposing as much as 
possible but without clipping/over-saturating the sensor wells and I haven't 
(yet) seen any creditable study to the contrary.

I haven't looked at the other two articles you quote as they appear to be just 
blog posts.

-----Original Message-----
From: Aahz Maruch [mailto:[email protected]]
Sent: 12 July 2013 14:27
To: [email protected]
Subject: Re: [Darktable-users] Bracket shot workflow?

On Fri, Jul 12, 2013, Rob Z. Smith wrote:
> From: Aahz Maruch [mailto:[email protected]]
>>
>> It's a little trickier than that because (per _Light: Science &
>> Magic_), you do lose some detail when an exposure is shifted too far
>> to the right (overexposure) even when there are no blown highlights
>
> This does sound just wrong.  Could you post the reference so I can see
> where that opinion comes from?

That reference is a book by Fil Hunter, Paul Fuqua, and Steven Biver (borrowed 
it from my local library, yours may have it, too).  Quacking around for "camera 
sensor linearity", there are similar comments online:

http://www.dpreview.com/glossary/camera-system/sensor-linearity
http://harvestimaging.com/blog/?p=1154
http://kobus.ca/research/publications/02/camera_characterization/camera_characterization.pdf
http://www.qsimaging.com/blog/?p=81

It makes sense if you think about it: the ADC is not going to be perfect, and 
it will be less perfect as you approach the ends of the dynamic range.
--
Hugs and backrubs -- I break Rule 6                        http://rule6.info/
                      <*>           <*>           <*>
Help a hearing-impaired person: http://rule6.info/hearing.html

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