This is cheating but: I recently took a series of images under 
appalling  light conditions (actually in a cellar with stone walls), in 
the very darkest areas I needed to remove those red spots in areas where 
there was no basic color anyway. I simply drew a mask around the 
offending area and then reduced the red saturation.

OK, I know it's a nasty thing to do but since I was working on basically 
a gray background anyway it solved the problem and is quite unnoticeable.

Doing the above allowed me to reduce other noise settings and get better 
overall definition.

David

On 13-10-06 10:30 PM, suni wrote:
> Fighting the red dots in high  ISO images is one of the largest
 > challenges in processing of my images taken by SONY A550 camera. To
 > beat it I use the hot pixels module with threshold set to 0 and
 > usually checked the detect by 3 neighbours option as well or I use
 > the demosaic module with colour smoothing option set to two times.
 > Sometimes one time is enough. But I definitely have no idea what of
 > these two is better approach regarding the negative effect on the
 > overall image quality or if these two approaches shout be avoided in
 > favour of another one. Any advice from much more experienced user
 > would be appreciated.
 >
 >
 > 2013/10/3 Willem Ferguson <[email protected]>
 >
 >> I use a Canon 7D. On several occasions, when taking photographs at
 >> relative high ISO (e.g. 1600 or 2000), I have noticed red dots on
 >> the image. See this image:
 >> https://www.dropbox.com/s/i0ck3yx4o341npb/IMG_9300.jpg Look at the
 >> crest of the turaco and also in the dark areas at the base of the
 >> tail. When viewing the image on different image viewers, the red
 >> dot is present in the original CR2. I conclude this is not an
 >> artifact of image processing, although it becomes much more obvious
 >> when doing some edits,  e.g. increasing the brightness and the red
 >> dots change when magnifying an image. I have 2 questions: 1) What
 >> causes this? 2) Is there an easy way in dt to remove it? Kind
 >> regards, Willem Ferguson
 >>
 >>
 >>
 >>
 >>
 >> 
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 >
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