If you search the ArgyllCMS mailing list archives for threads in which a 
person named Ben Goren participated, you'll find excellent information 
on art reproduction.

https://www.freelists.org/archive/argyllcms

Rob gave excellent advice to get you started and what he said will 
benefit all of your image editing. Ben Goren's contributions in the 
ArgyllCMS archives will fill in a wealth of technical details about art 
reproduction.

On 11/21/2014 04:35 AM, Rob Z. Smith wrote:
> Hi Marcial,
>
> If you don’t have a proper colour managed workflow what you are
> attempting is, with dt or any other software,  essentially impossible.
> Before even thinking about what to do in dt you will need to as a minimum:
>
> 1)Beg/borrow/steal a monitor calibration device and generate a profile
> from this. Then make sure your operating system and/or photo  processing
> software is using that profile. Note that for your specific requirement
> of reproducing the drawings you will want to use specific and controlled
> lighting when you do this and use the same lighting when photographing
> the drawings.
>
> 2)Get an accurate printer profile made for the specific
> printer/paper/ink  combination you are going to use for printing the
> drawings.  Or send them off to a good printer who supports colour
> profiled work.
>
> 3)Optionally produce an input profile for your camera, and  in the
> specific lighting conditions you are going to use.  This is an added
> complexity you might not want though and I recommend not bothering with
> this, unless you know enough to know you need it.
>
> After you have done this you can photograph the drawings and do whatever
> you want in dt (or something else) to adjust the image with the
> reasonable expectation that what you see  on the screen is going to be
> as close as possible to what you get on the final print.  Unless you are
> prepared to set this up properly, which is neither quick, nor easy, nor
> cheap, attempting any form of accurate colour work is frankly a waste of
> time as your print never looks like what is on the screen so you have no
> way of deciding what adjustments you actually need.
>
> There is a reason why reproducing drawings accurately is a specialist
> service – it takes time, money and commitment to learn the techniques
> and set up things up.  Which isn’t to say that it can’t be done if you
> want it enough.
>
> Rgds,
>
> Rob.
>
> *From:*Marcial Gomez Martin [mailto:[email protected]]
> *Sent:* 21 November 2014 07:47
> *To:* [email protected]
> *Subject:* [Darktable-users] art reproduction, right colors?
>
> Helo everyone.
>
> I need some help!
>
> I'm trying to reproduce a set of drawins to make copies as faithfully as
> possible. I have used a grey card in order to fix colors (wb)  and
> exposition. I figured I could do that by measuring 127, 127,127 in the
> card, but the result has been absolutely unsatisfactory.
>
> I know I can't control the printer output as I don't have any specific
> icc profile, but even the jpg images are very redish/yellowish, and very
> clear compared to the originals. The printed copies were even worse
> (clearer more saturated and redish/yellowish).
>
> I've been looking into the messages and I'm overwhelmed by all the
> concepts involved. To begin with, I don't know if I should disable the
> base curve, as it tends to add saturation. I don't know if the input
> color profie should be linear or not. Then comes the output color
> profile "to the rescue":
>
> output, perceptual?;
>
> screen output, ¿?;
>
> output profile: AdobeRGB?;
>
> printer profile, a CMYK icc that I dont have?
>
> screen profile, OS.
>
> Then, in lightroom mode, export, I have another intent (I asume image
> config will take into account the adjustments I've already done) and
> another profile...
>
> My simple question is: Which would be the best workflow to produce a
> faithful copy of a picture/drawing?
>
> I hope someone can help me if I have made myself clear enough (which I'm
> not sure of)
>
> Thanks in advance.
>
>
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