On 01.10.2015 20:00, Aaron Wolf wrote:
> 
> 
> On 10/01/2015 10:12 AM, mray wrote:
>>
>>
>> On 01.10.2015 17:29, Aaron Wolf wrote:
>>> I agree that "works" as an entry is higher priority than vividness or
>>> aesthetics, but these issues don't necessarily conflict.
>>
>> My point is that they do conflict in my eyes.
>> You want more wood which isn't a topical thing but "completes" a picture
>> in your head. To me the whole "snow" theme has a point, while "forest
>> and trees" does not. It is about stylistic consistency and focus on the
>> message. The "emptiness" you notice is the same you will experience on
>> the other mainly white pages, I want to anticipate that and be able to
>> reference the landing page in style and in feeling later on when pages
>> are more boring.
> 
> Marginalia stuff does not fundamentally necessarily distract.

In a snow-covered landscape they tend to do very quickly.

> Depth is good. It is not important that 100% of everything be on the most 
> obvious
> surface level. I'm not asking for trees and buildings to be surface
> focus, I'm asking for the context to feel better. I'm not wanting
> everything filled up either.
> 

I just see how additional things water down our message.

> I agree that we don't want the other pages to feel extremely sparse
> compared to the landing page, but I really don't like the isolated
> tundra feeling.
> 
>>
>>>
>>> I think the barren wasteland feeling is actually negative. I might
>>> dabble with updating things myself ever. I really insist that my two
>>> other concerns be addressed: more buildings / destination in the
>>> distance; more trees and landscape that makes this feel like familiar
>>> and desireable place, not the tundra.
>>
>> When covered in snow everything is a "barren wasteland", and
>> things that stick out *despite* the snow-cover steal focus instantly.
>> Having more of everything makes it easier to have nice illustration but
>> harder to get along a point (and harder to fit on different screen
>> sizes, too).
> 
> I'm not asking for "more of everything". I want very specific things, so
> don't characterize my request as being insensitive to the value of
> simplicity. I'm not suggesting just "more".
> 
>> Let's not forget this isn't even about the snow - it is about *clearing
>> the path*, destination and trees don't play a role.
> 
> The idea of a path absolutely is connected to a sense of leading
> somewhere.

I'm with you here, that is why there is a house.

> And trees that *frame* the path actually *increase* the
> feeling of it being a path.

And here you lost me. My point is: trees are not part of the metaphor.
You want to throw in lots of them right in the middle just so that we
have a more path-ish path. If the path needs to be more distinct I'd try
other things first.
I think the signpost and the lane markings on the road are enough.

> These sorts of images push the center of
> attention *super strongly* toward "path"
> https://duckduckgo.com/?q=tree-lined+path&t=canonical&iax=1&ia=images
> 
> I'm not asking specifically for that sort of image, but the flatness of
> the path against the flat ground background actually is failing to draw
> out the feeling of a path as effectively as it should. The current image
> has the path and the non-path ground way too similar.
> 
> Adding trees around the path and off in the distance *increases* the
> framing on the path if we do it right. As is, the path looks pretty
> arbitrary. We're on a flat wasteland and we could make a path anywhere
> or just walk in any direction across the snow.

I don't think we have to rely on things that scream THIS IS AN IMPORTANT
PATH! If the illustration is that bad in showing a road that needs
clearing we better start from scratch.

> 
>> Having a more tangible destination makes things even harder, you don't
>> know what others regard desirable. We also can't promise that the way we
>> clear leads to a golden future for everybody.
> 
> I didn't ask for a tangible destination. I want a *shadowy*, blurry,
> vague destination. I said in my message about "leave it up to the
> imagination". The whole point is to so a vague sense of distant
> destination that lets people imagine whatever they value. The current
> image doesn't effectively give the feeling that there is some
> unspecified distant destination at all.

.. vague sense of distant destination
.. imagine whatever they value
.. shadowy
.. blurry
.. vague

That's indeed not what a house at the end of a snowed in path is.
I don't have the slightest idea what you want to see on the
illustration, but then you sound as if you don't either.

> 
>>
>> My conclusion is that what you ask for tries to do too much and achieve
>> too little. I prefer boiling it down to what matters and have *that* work.
>>
> 
> It seems to me that you may be imagining me having totally different
> values and ideas than I actually have. As though you think I'm asking
> for everything all at once and ignoring your points. What I'm asking for
> is specific, appropriate, and effective: frame the path with trees
> better (not in a style that draws excessive attention to the trees),
> show more blurry vague destination stuff in the far distance for more
> sense of destination and depth. I'm sure this is doable without losing
> any of the other qualities we care about.

I think our values and ideas are well aligned.
I question what you ask for is specific or effective, though.
I already removed trees for efficiency and "blurry vague destination
stuff in the far distance" isn't specific.

> 
> Incidentally, for the overall tundra landscape, just vague topography,
> like some hills or other things on the sides or some minor forest stuff
> just makes things better.

You forget that we have a huge horizon, making any group of trees (even
in the background) "isles of trees" and hills being "the hills" as
separate entities. Adding more does *not* just make things better
automatically.

> The feeling we want is that you can't see
> everything all at once. In the actual tundra, you can just see
> everything for miles, you understand what is out there. We don't want
> that. We want to keep a sense that the world is bigger and we haven't
> seen it all. I'm not asking to *show* everything, I'm asking for the
> subtle sense that we're in a *place* at all and there are other places
> beyond where we are. We need *some* sense of place.
> 

This does not make sense to me. It sounds like a philosophical version
of "show it but hide it".

>>>>
>>>> I addressed your desire to add more snow to the road though:
>>>> http://ur1.ca/nw6cf
>>>>
>>>
>>> I'm not sure that particular touch-up is good, it doesn't get the "pile
>>> of snow" feeling as well as either the earlier mockups or the
>>> https://snowdrift.coop/static/img/intro/snowdrift.png illustration. It's
>>> hard to pin down why, but that illustration I made (which was based on a
>>> photograph incidentally) achieves a stronger sense of substantial
>>> obstacle, although I also like the sense that the Mimi & Eunice
>>> illustrations have that there's snow to clear for a good long ways down
>>> the road, not just this singular snowdrift to clear.
>>>
>>> Anyway, the new update doesn't quite have the clarity about the
>>> snowdrift that would be ideal.
>>
>> but is it better than the version before?
>>
> 
> I'm not sure the new snow is better. 

Why not?

> I think if you compare to
> https://snowdrift.coop/static/img/intro/snowdrift.png or to certain of
> the earlier drafts of yours… well, it's just not as understandable
> what's going on with the snow as would be ideal. We need more
> distinction between background and path. Basically, we need to separate
> "there is snow" from the feeling of "there's this snowdrift *on* the
> path", so the sense that the snow on the path stands out from just
> surrounding landscape snow.
> 
>>>
>>> I also think Jon and Stephen have some good points, although I don't
>>> agree with Stephen that we need a "professional" font, I think the new
>>> font choice is fine. I also think we should go ahead with mocking things
>>> up with the new "Free the Commons" slogan candidate.
>>
> 

I think we have reached a level where you want me to do things that I
don't see. And I don't want my bias to interfere with your ideas, which
is why I suggest you show me what you mean in *any* visual form. Maybe
this is yet another misunderstanding that needs not to take more time
since we mostly agree on things and discuss details here.

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