Toby,

Your outline of the lobbying landscape is exactly right. Other
constituencies affected by these developments are welcome to do their
own lobbying, although it would seem most have chosen not to, or have
not done so very effectively. The loudest voice gets heard.

I have only been following this sporadically, but I thought there was a
difference between the existing broadcast royalty framework and the
rules for internet use.  I thought broadcast royalties compensated only
the composer/publisher group, while the internet structure also
extended, in whole or part, to the performers/recording companies.  I
could be wrong, but that might explain RIAA's interest in the latter
and not in the former.

The development of new media forms has caused havoc with many creative
interest groups - witness the Hollywood writers strike some months back
where one of the gripes was over residual payments for new distribution
forms.  Hopefully it gets resolved without destroying or severely
handicapping the participants.

I'm not going to be baited by my friend who seems to simply like to
argue, with or without an understanding of the topic. He doesn't seem
to understand what trade groups do.  RIAA represents its members, not
other constituencies. The fact that he recognizes that they speak for
their sponsors, are well funded, and have been effective in getting
what they want, is nothing more than an acknowledgement they are doing
their job.


-- 
Goodsounds
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