Yes the recordings has to contain actual ultrasonic content otherwise
MQA is pointless even for is intended purpose .

And not any haphazard ultrasonic content the producer has to know what
he is doing .

Did not both Theta and Pioneer ( legato link ) both had some failed
aproach to guess/generate the overtones . the failure is that the
information is lost forever can not be recreated .... Sadly I thinks
it's very tempting to do this again to generate content .

The recording process do use 24/192 these days to avoid brick wall
filters etc and further use floating point data in subsequent software
that mixes and produces the stuff . The benefits are clear to all of us
but actually it does not necessarily needs to be distributed in that
format to the end user . Like most digital processing the practice to
use very high Rez source material makes good sense just like in
Photoshop ( I did buttons for my remote control app in more than
1000*1000 res even if they are shrunken down to 72px in iRule , but all
plugins and effects etc worked so much better ) . But the subsequent
distribution to consumers ? We have very good resamplers and dither
algorithms these days .

Anecdote I have even used bad algorithms and rather sloppy conversion
processes for my own tests , and I could still not detect any difference
that's how good today's stuff is .

If you want to "test" hirez in some ABX fashion use SoX or something and
resample some of the better hirez recordings you have . Do not compare
to the cd release or cd layer that came with the disc ;) they obviously
sound "different" ( because the obvious fact that they are not the same
master )

Personally looking at most distortions curves on power amps they peak in
the HF and also typical HF resonance peaks in tweeters ( transformer
resonances in tube amps anyone ? ) I only see a possible way for
intermodulation distortion this would sound different ofcourse .....



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server HP proliant micro server N36L with ClearOS Linux

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