Mnyb wrote: 
> Yes about the 24/192 we have to have a positive outlook sometimes , are
> that many studios still stuck in 24/48 ? 24/96 is all ok probably the
> rigth compromise .
> Having been in some actual studios , it differs :) maybe the ADC is not
> the bottleneck but something else . It can be a mashup of disparate
> equipment and everyone can not buy the new toys all the time.

Often the limiting factor is the software and digital audio processing
computer - 48 vs 96 makes a big difference once you start stacking lots
of channels.

> Btw for download files why not 16/48 ? It would suit computers much
> better and be easier to downsample to from the source.

Downsampling is downsampling, the ratio doesn't really matter. But
ironically mp3s are increasingly starting to be 48... :)

> I do have the odd 24/48 recording too it may reflect the actual studio
> master ...

It means they are actually being honest! :)



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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