Cleve Wrote: 
> To be fair - do most sources (ie,  cd players, tuners, tape decks, phono
> cartridges) have any type of "level protection" built in?    I don't
> think so.  Regardless, situations like this make me glad I have
> McIntosh amplification with Power Guard and Sentry Monitor.   My
> loudspeaker investment is kept safe and protected from a component
> going "berserk".It doesn't matter what sort of input source; there is almost 
> always
something that can go wrong. Maybe you think that grooves on a record
are only so wide, so there is some maximum voltage. But that doesn't
mean that sub-harmonics on a record cannot blow out your speakers given
enough juice.

Hence in the analog world you have high-pass filters, low-pass filters,
compressors, limiters, etc. All sorts of tools to make sound work and
not damage your expensive equipment.

In the digital world, it takes a stream processing architecture that
validates the stream and filters it with a digital peak limiter. You
could also do compression and high/low pass filters all in the digital
domain. This approach would rely on level-setting your analog gain
stages appropriately. 

In my experience with SB1/SB3, I don't think the SB does anything  to
provide safe signals. Sean could of course correct me on this.


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