Heh no reason not to go for the 15,000 RPM drives if your'e really into
spending your hard earned cash.  4ms access time is worth going all the
way =)

-matt

-----Original Message-----
From: theRENEGADEkemist [mailto:[EMAIL PROTECTED]] 
Sent: Friday, January 18, 2002 8:39 AM
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Re: SCSI is very, very good...


If you like SCSI you should check out the new Adaptec 39160, instead of
the old 40MB/s or 80MB/S for the 2940 you have 160MB/S and up to 30
Devices, couple that with it bieng 64 bit and you now have up to 10,000
rpm drives that can do 160mb/s you will have a monster on your hands.

trk.

----- Original Message -----
From: "Daniel Norman" <[EMAIL PROTECTED]>
To: "Drum & Bass Arena Discussion List" <[EMAIL PROTECTED]>
Sent: Wednesday, January 16, 2002 6:54 AM
Subject: [dnb-prod] SCSI is very, very good...


Mornin'

This ain't the Oscars, but i just wanted to say that all the advice from
all of you on the list about PCs, SCSI and samplers was an absolute
godsend. This may be normal stuff with some of you, but this has just
transformed my potential for making tunes (just need more free time
dammit - 50hr working weeks suck)...

A friend and I set up my PC last night with 128MB more RAM (only �18 -
so much faster now than just 64) and fitted an Iwill 2930c SCSI
controller card too (thanks James @ Flex for the recommendation). Its
the same set up as yours and its very cool that it all works as it
should.

It was pretty painless, tho luckily he's a server engineer, which helps
i suppose.

Now I have the PC able to send big chunky processed .aiff samples (at
last, big pads, film dialogue and strings) using Wavesurgeon to my
A3000v2 over SCSI which are then mapped straight to the keys in seconds.
The possibilities of the Wavesurgeon Advanced software are fantastic.
Every break/vocal/sound FX can be transformed into proper killers even
before they reach the sampler using Cool Edit Pro and Wave surgeon to
mangle it all. No more being restricted by floppy disks. Plus if i get a
MIDI merge box, i can send AND receive samples both ways...

To have each individual hit and the remainder of a particular break
following afterwards (a la Scope @Streetbeats - mucho thanks for the
internal affairs advice) on separate keys in about 20 minutes is great.
Cos once they're in the sampler, it still leaves me all the options to
filter and pitch all the individual hits separately (Koffi Annan on
Creative Source style amens or like on Breakage - Here Come the Drums).
Also to have the end parts of vocals/FX trailing like on all the old
Full Cycle tunes using the loop function and the release part on the
volume ASDR ...very cool - i never worked out how they did that until
now. Plus i can route individual parts of the breaks to different
channels for EQ and compressors etc. Heavy kicks and snappy snares...

I don't know how i survived without it. Mind you I haven't had Windows
trash the ZIP disk yet, so i may be very unhappy if that happens.


We experimented last night using a test disk to check the order in which
everything has to be turned on and it seemed happiest when the PC is
turned on with the ZIP drive on already and then the sampler was turned
on last. Mind you, I restarted the PC with all the equipment on and
connected and that didn't kill it either, so it seems quite stable. Plus
I can also use a Windows format disk in the ZIP to back up my PC too
from time to time. Excellent stuff. I can't wait for the weekend to
play...

Many thanx

Dan


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