I have a q slighly OT - I always work in cubase at 44.1 - from what i've picked up should i be working at 48 instead? I'm pretty sure my soundcard (Gina) works internally at 48 as well???
-----Original Message-----
From: Nick Lankester [mailto:[EMAIL PROTECTED]]
Sent: Thursday, March 21, 2002 9:50 PM
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] RE: Final recording
The Record 'what you hear' feature on the SBlive will result in whatever you record being converted to 44.1 khz and then back to 48khz (The SBlive works internally at 48).. So you should avoid using this method whereever possible..
Something I tried a couple of days ago was to route an output from my soundcard to another input... This means you can assigna Sound forge to record whatever you're PC is outputting.. Including inputs etc..
This will only work on multi IO cards though I'm afraid...
Nick
-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: 21 March 2002 09:29
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] RE: Final recording
I've got round this by running two PC's, so I just go
digital to digital in to Wavelab. I know some sound cards
though have a "record what is playing" function. Some of
the soundblasters have this (it's designated by an ear in
the soundblaster control panel). It seems to be a
soundcard/install feature rather than anything else though -
unless anyone else has got some ideas?.......
-----Original Message-----
From: Daniel Norman [mailto:[EMAIL PROTECTED]]
Sent: 21 March 2002 09:41
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Final recording
I see,
Its a weird one, cos even tho peeps seem to getting
increasingly smoother
results using software, i can't stop myself wanting to buy
yet more stuff
that fits into a rack - ha, is this mental conditioning???
:-)
My biggest gripe is making a tune that sounds fine on my
monitors and then
recording it to MD or tape where it seems to lose something.
I would like to
be able to record it directly back into a wave editor
without putting it to
MD first, then i might just get an internal CDRW to end up
with some better
sounding demos.
Is there a way of recording a tune back into Soundforge or
Cool Edit Pro
using the soundcard inputs whilst playing it at the same
time from the
synths, sampler thru the mixer? I don't seem to be to do
this, but I don't
see why not.
Do most people record a tune from the hardware or PC onto
DAT or CD/MD and
then re-record it back into the PC for editing using Waves
etc then master
it to DAT or CD/MD using the soundcard outs once finished??
I need to get my demos crisper and fatter....
Laters
Dan
-----Original Message-----
From: mattrick [mailto:[EMAIL PROTECTED]]
Sent: 20 March 2002 19:40
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Re: artists - I want to hear your music!
cheers dan
i'm really undecided about the vocals, some people like the
chipmunk, some
don't, some say they don't normally but it seems to fit ( i
think i'm pulled
towards the latter category)
so i'm gonna try out that steinberg voice designer thingy if
i can get hold
of it, and i'm also looking for a singer to see if it would
sound better
done fresh... but i think i'm gonna have a hard time finding
someone with a
voice as smooth as the one i sampled..
i have a pretty fine selection of hardware but everything
i've made this
year has been 100% software. i've been using a combination
of mainly Reaktor
/ Recycle / Reason / Cool Edit / T-Racks. and surprisingly
since i totally
abandoned the hardware my tunes have improved a shedload.
i've always been a
hardware head and it's really shocked me.
thanks again
keep it frosty,
mattrick
www.sequential-recordings.co.uk
forthcoming on Formula Inc:
FINC002: genetic sequence - urthe1 / urthe1 Miracle RMX
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