>>I think that hits the nail on the head. If you're getting it released it's different. If you're putting >>something together for demo's, etc, it doesn't (necessarily...) hurt to have a go at mastering.
But surely if your sending demo's out - you are looking to get them signed / released ? In my experience with labels they are not initially worried if the tune sounds as loud as a dillinja track. The attributes of a good track stem far beyond the initial production. If they see potential in the tune they will take it and ask you to remix it down prior to mastering. Im not for one minute suggesting that production aint important but I think sometimes people overlook the content and structure of a tune. I've been a member of this list since I started producing 4 years ago and recently the talk has been all about <20khz >50khz etc etc. And I have to hold my hands up and say that most of the time I dont know what your going on aobut !! :-) Whats my point here . . . hmm I dont know really ! Just a rant, make of it what u will ;-) Lee IMPORTANT NOTICE: This email is confidential, may be legally privileged, and is for the intended recipient only. Access, disclosure, copying, distribution, or reliance on any of it by anyone else is prohibited and may be a criminal offense. Please delete if obtained in error and email confirmation to the sender. --- Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk You are currently subscribed to dnb-prod as: [EMAIL PROTECTED] To unsubscribe send a blank email to [EMAIL PROTECTED]
