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Thanks to Eleonora, Wenhua, and Joo Yun for your posts! I’m sorry about the 
slow pace in the second week, but please feel free to follow up on their posts 
anytime. The annual meeting of Society for Cinema and Media Studies ended today 
in Toronto, and we are back in week 3. I am excited to introduce the guests for 
this week. They are Nicholas Knouf, Norie Neumark, Ryan Jordan, Sarah Simpson, 
and Gianluca Pulsoni.

————————

Nicholas Knouf

Nicholas Knouf is an Assistant Professor of Cinema and Media Studies at 
Wellesley College in Wellesley, MA. He is a media scholar and artist 
researching noise, interferences, boundaries, and limits in media technologies 
and communication.

His recent book, How Noise Matters to Finance (University of Minnesota Press, 
2016), traced how the concept of “noise” in the sonic and informatic domains of 
finance mutated throughout the late 20th century into the 21st. His current 
research project, tentatively entitled At the Limits of Understanding, listens 
to how we have tried to communicate with both ghosts and aliens.

His current artistic research explores the re-presentation of signals from the 
cosmos. Projects in this vein include they transmitted continuously / but our 
times rarely aligned / and their signals dissipated in the æther 
(2018-present), a 20 channel sound art installation with speakers made from 
handmade abaca paper and piezo electric elements, with sounds collected from 
satellite transmissions; PIECES FOR PERFORMER(S) AND EXTRATERRESTRIAL ENTITIES 
(2017-present), event scores laser etched into handmade translucent abaca 
paper; and, On your wrist is the universe (2017-present), generative poetry 
about satellites and the cosmos for your smartwatch.

Norie Neumark 

Norie Neumark is a sound/media artist and theorist.  Her radiophonic works have 
been commissioned and broadcast in Australia (ABC) and in the US. Her 
collaborative art practice with Maria Miranda (www.out-of-sync.com) has been 
commissioned and exhibited nationally and internationally. Her sound studies 
research is currently focused on voice and the new materialist turn. Her latest 
writing on voice is Voicetracks: Attuning to Voice in Media and the Arts (MIT 
Press, 2017). She is an Honorary Professorial Fellow at VCA and Emeritus 
Professor, La Trobe University, Melbourne, and the founding editor of Unlikely: 
Journal for Creative Arts. http://unlikely.net.au

Ryan Jordan

Ryan Jordan creates powerful audio-visual performance experiences explicitly 
attempting to access portals into the psychedelic reality matrix. These are 
explored through experiments in Possession Trance, retro-death-telegraphy, 
hylozoistic neural computation and derelict electronics. Recent projects 
include engram_extraction, a hypothetical experiment into extracting and 
recording the biophysical and/or biochemical imprints of events on memory; and 
several failed attempts at breeding basilisks, mythical reptiles with a lethal 
gaze or breath, hatched by a serpent from a cock's egg. He disseminates these 
experiments via his noise=noise / nnnnn platform for live events and workshops 
currently based in Ipswich UK, and via a PhD thesis being completed at the 
School Of Creative Media in Hong Kong.
http://ryanjordan.org/

http://nnnnn.org.uk/

Sarah Simpson

Sarah Simpson holds as Master's Degree in the History of Art from University 
College London and a Bachelor's Degree in both Art History and Archaeology from 
Cornell University. Originally from Binghamton, NY, she currently resides in 
Brooklyn, NY. Sarah has held a range of positions in the art world including 
Curatorial Assistant, Gallery Manager, and, most recently, Publicist. She's 
worked in The Whitney Museum of American Art, BRIC, Didier Aaron, and Blue 
Medium. Sarah has a personal blog, as well, where she writes about exhibitions 
and theoretical concepts that strike her interest, such as museum gift shops 
(which are absolutely fascinating): https://ecloart.wordpress.com/   

Gianluca Pulsoni

Gianluca Pulsoni is a Ph.D. student in the Romance Studies Department of 
Cornell University (Italian section). He holds an MA in Cultural Anthropology 
from the University La Sapienza in Rome, Italy, with a thesis on Gianikian and 
Ricci Lucchi's cinema and exhibitions. He is a contributing writer to the 
Italian newspaper, Il Manifesto -- its cultural pages and weekly, Alias. Also, 
he has experience working with digital companies and publishing houses in Italy 
as editor and translator.

all the best
Junting


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