> Gary A. Thurlow wrote
>
>
> One more thing - how on earth do some of you guys afford to buy a D-30 and
> a pack of "L" lenses?  I can't even afford ONE "L" lens, let alone a whole
> outfit!  The only rule I have regarding lenses is that it must be Canon and
> it must be USM.  I would love to own some "pro" glass, but sticking it on
> my EOS-RT seems like so much overkill.

Almost any of the short primes are in the same quality category as L glass.  The 
50/1.4, 35/2, and 85/1.8 don't need to apologize for anything, and you can spend
even more money on those focal lengths, if you want to.  One L lens to keep your eyes 
open for on the used market, is the 200/2.8L (either version).  It's not
cheap, but it isn't unreasonable either, and is an excellent performer.

I too, am tempted by digital.  But I've decided I can afford to wait (or maybe I can't 
afford not to wait) for a body that will give adequate quality for the
same price as a decent film body.  Unless you're shooting for a newspaper, or 
something else that needs short turnaround, or your film costs are very
significant, it's hard to justify digital right now.  Of course, once I go the digital 
route, I'll hang onto at least one of the film bodies I have now.  They
may not be worth anything in trade by then anyway.  :-)

Geoff Doane

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