>
> Robert,
>
> Thank you for tkaing the time to write.
>
> Here is more info :
> I have Canon 85 1.8, 50 1.8, 70-200 4l
> tokina 19-35.
>
> > 2) The Canon 28-105 and 28-135 have about the same aparture
> > range for a
> > comparable focal distance. So the 28-105 has no advantage in that
> > regard.
>
> 28-105 is really small, which is what I really like.
>
> This is what I use my systems for : weddings, dance photography (dark
> ballrooms, mostly), portrait, street. no sports or bird photography.
>
> thanks.

Hi Evrim,

Given your usual subjects and already owning some good solid primes that
match up well for ballroom shots, street images and portraits, I'd consider
keeping the EF 28-105USM for it's fast AF speed, low cost and the
versatility.  Obviously it can't reach out to 135mm but IMO even used at
f/5.6 it's already to slow for typical 135mm uses like portraits, street
shooting etc. (where I like to shoot very early or very late in the
day/evening wide open), and at its best performing apertures, f/11-f/16,
really quite slow for anything except broad daylight using moderate to fast
ISO films.

As you know, given a choice I'll take aperture over IS under most situations
because I prefer the option of using higher shutter speeds vs. low shutter
speeds.

This leads to your second option, selling the 28-105USM and keeping the
Tokina 28-80 2.8 or EF 28-135IS.  I personally prefer the fastest, least
amount of AF hunt possible and a fast f/2.8 aperture helps this under low
light if you can retain cross type AF operation on your camera body.  But
the Tokina will not AF as fast as the 28-105USM or 28-135IS even in full
daylight due to the lack of USM and from what I've read, slightly lower
contrast.  From my POV, between these two there's not much of a choice, the
Tokina is a much faster lens it's sharper and perfectly usable at f/2.8 vs.
the 28-135IS which is not in the same league in terms of optical quality,
lens speed or build quality.  Even with Canon's fast USM AF motors this
lens' slower than f/2.8 lens speed will turn off the cross type AF sensor in
most EOS bodies and probably only work at the same level under low light for
which the 28-135IS lens is utterly unsuited.  Granted the EF 28-135IS has
quite a bit of reach, quite a bit more the Tokina's 80mm but it's of little
value given the slow lens speed it's been encumbered with and the subjects
you primarily shoot.  Given your subjects and your style of shooting which
is strongly emotive and interpretive I'd say having more image control is
what you'll appreciate most and the Tokina 2.8 can offer more of it and is a
sharper lens to boot.

Also consider the EF 85 1.8USM and EF 50 1.8 when used on the D30 will
effectively be fast 80mm and 135mm lenses.  Add an EF 20 2.8USM and EF 35
f/2 both moderate cost lenses and you'll have the full range of classic
street focal lengths (35mm, 50mm, 80mm, 135mm), for your D30.  Crank it up
to an EI of 400 for some atmospheric noise and be happy.

On the longer end the 70-200 4L is a nice lens and probably somewhat less
used then your middle length lenses given your subject matter.  The EF
70-200 4L is a whole stop faster than the EF 28-135IS, MUCH sharper and is
better suited overall for longer focal length shots IMO.  So the 70-200 4L
is a keeper, to date there's no substitute for focal length and lens speed
when you need it and this is a very good performing lens for the money
especially when you add an EF 1.4X to the mix.


Regards,

Chip Louie



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