--- In [email protected], Peter Sutphen 
<[EMAIL PROTECTED]> wrote:
> 
> 
> --- cardemaister <[EMAIL PROTECTED]> wrote:
> 
> snip
> > > 
> > > Think it's time to bail on the conversation! I'm
> > going
> > > to go out and buy two new resonance heads for my
> > 12"
> > > tom and my 16" tom. Think I'll get clear
> > Ambassador's.
> > > I've got pinstripes on the top. Nice full, sound
> > with
> > > lots of bottom sustain. Got them tuned so there's
> > no
> > > pitch climb in the decay. Stop in the local diner
> > and
> > > have some harsh browns, french toast and read the
> > NY
> > > Times. Go to dog park. Practice some licks from my
> > new
> > > Stanton Moore book. Now he is one funky drummer!
> > New
> > > Orleans 2nd line at its best! I think he's
> > enlightened
> > > and can read auras!
> > > 
> > >  www.drummerworld.com/drummers/Stanton_Moore.html
> > 
> > The  RRLRRLRL -thing sounds really cool! I'd say
> > his style is quite sophisticated. But one of his 
> > base drums looks really antique.
> 
> That antique drum must have a nice sound. 

Sounds to me (Tchfunkta) like it has a drumhead of genuine leather.


Did you see
> how he had his double bass pedals set-up? 

Yeah. IMO his set-up looks a bit "unergonomic". :)

One was for
> the modern bass and the other was for the antique
> bass, but he doesn't play double bass. He just uses
> one or the other bass depending upon the song. His
> style is called "funk" and he has a strong New Orleans
> second-line influence which gives it this type of
> syncopated, triplet feel. Techniquely it's not that
> hard to play, but you have to get used to placing
> accents in places you're not used to.
>   
> 
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