--- In FairfieldLife@yahoogroups.com, Bhairitu <noozguru@...> wrote:
<snip>
> Well I wouldn't panic too much about Yahoo's heavy handled
> legalize. They want to scare you into submission.

Yahoo is protecting itself from being sued for copyright
infringement.

 Their
> counsel writes like a NAZI general. Probably figures he has
> to do so to satisfy the stockholders. A milder takedown
> notice should have been sufficient.

It's a form letter.

<snip>
> And then there is the matter that the document does not carry a 
> copyright notice so really doesn't fall under DMCA rules.

It did indeed carry a copyright notice, and the notice
was included in what was posted here:

"©Copyright 2010, Maharishi Vedic Education Development
Corporation. Distribution, redistribution, publication
or reproduction of this communication in any form is
prohibited."

Why would you make such a definitive statement when you
didn't know whether it had a copyright notice or not??
This stuff is confusing enough without misinformation.

If anybody's interested, the Electronic Frontier Foundation
is campaigning to get DMCA revised:

http://www.eff.org/wp/unintended-consequences-under-dmca

And the Chilling Effects Clearinghouse is putting together
a searchable database of takedown notices:

http://www.chillingeffects.org/

The site has a detailed FAQ on fair use (which is the
defense one would use for posting Bevan's email):

http://www.chillingeffects.org/fairuse/faq.cgi

Here's a relevant section from the FAQ (NOTE TO RICK: The
material on the Web site has a Creative Commons license,
so I'm free to post what follows):

-----
Question: What types of uses does the fair use doctrine protect? 

Answer: The language used by Congress in Title 17, Section 107 specifically 
lists ?criticism, comment, news reporting, teaching, scholarship, and research? 
as examples of uses that might be protected under fair use. However, this list 
is non-exhaustive, and therefore a use not covered in one of the categories 
could nonetheless be successfully defended as a fair use. Conversely, not every 
use that falls within the listed categories will necessarily be found by a 
court to be fair. For example, not every use of another's work for research or 
educational purposes will be held to be a fair use. See Encyclopaedia 
Britannica Educational Corp. v. Crooks, 542 F.Supp. 1156 (W.D.N.Y.1982). 

In considering a fair use defense to a claim of infringement, a court will 
focus its inquiry on the specific facts of the individual case. Therefore, it 
is very difficult to predict with accuracy what a court will do until it 
engages in the inquiry. A court will almost always use the four factors listed 
by Congress as a guide in its inquiry. The four factors listed are: 

FACTOR 1: THE PURPOSE AND CHARACTER OF THE USE 
This factor considers whether the use helps fulfill the intention of copyright 
law to stimulate creativity for the enrichment of the general public. The 
defendant must show how a use either advances knowledge or the progress of the 
arts through the addition of something new. The more transformative the use, 
the more likely it is to be fair, whereas if defendant merely reproduces 
plaintiff's work without putting it to a transformative use, the less likely 
this use will be held to be fair. Further, the more commercial defendant's use, 
the less likely such use will be fair. 

FACTOR 2: THE NATURE OF THE COPYRIGHTED WORK 
The more creative, and less purely factual, the copyrighted work, the stronger 
its protection. In order to prevent the private ownership of work that 
rightfully belongs in the public domain, facts and ideas are separate from 
copyright?only their particular expression or fixation merits such protection. 
Second, if a copyrighted work is unpublished, it will be harder to establish 
that defendant's use of it was fair. See Salinger v. Random House, Inc., 650 F. 
Supp. 413 (S.D.N.Y. 1986), and in New Era Publications Int'l v. Henry Holt & 
Co., 695 F. Supp. 1493 (S.D.N.Y. 1988). One commentator noted that "the 
original author's interest in controlling the circumstances of the first public 
revelation of his work, and his right, if he so chooses, [is to not] publish at 
all." While some argue that legal protection of unpublished works should come 
from the law of privacy rather than the law of copyright, Congress amended the 
Fair Use doctrine to explicitly note, "The fact that a work is unpublished 
shall not itself bar a finding of fair use if such finding is made upon 
consideration of all the above factors." 

FACTOR 3: THE AMOUNT AND SUBSTANTIALITY OF THE PORTION DEFENDANT USED 
In general, the less of the copyrighted work that is used, the more likely the 
use will be considered fair. If, however, the defendant copied nearly all of, 
or the heart of, the copyrighted work, his or her use is less likely to be 
considered fair. See Harper & Row, Publishers, Inc. v. Nation Enters., 471 U.S. 
539 (1985). 

FACTOR 4: THE EFFECT OF DEFENDANT'S USE ON THE POTENTIAL MARKET OF THE 
COPYRIGHTED WORK 
This factor is generally held to be the most important factor. See Harper & 
Row, Publishers, Inc. v. Nation Enters., 471 U.S. 539 (1985). This factor 
considers the effect that the defendant's use has on the copyright owner's 
ability to exploit his or her original work. The court will consider whether 
the use is a direct market substitute for the original work. The court may also 
consider whether harm to a potential market exists. The burden of proof here 
rests on the defendant for commercial uses, but on the copyright owner for 
noncommercial uses. See Sony Corp. v. Universal City Studios, 464 U.S. 417, 451 
(1984). It is important to note that courts recognize that some market harm may 
come from fair uses such as parodies or negative reviews, but that such market 
harm does not militate against a finding of fair use.
-----

With regard to Factor 4, the most important factor, I can't
imagine what kind of argument the Maharishi Foundation would
make to argue that reposting Bevan's email would harm its
potential market or inhibit its ability to exploit the 
material. But I'm not a lawyer...


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