On Apr 8, 2006, at 1:50 PM, jim_flanegin wrote:

> What is the difference between so called life and so called death?
>
> We don't go away- our essential nature, our consciousness remains,
> so what difference is it if the consciousness is in the living room
> or the dining room or the bedroom? Is it fair or accurate to say we
> have *died* when we move from room to room? If I go from the living
> room to the dining room and someone says 'where's Jim?', do we
> say, 'oh he went into the dining room; he's dead'...?
>
> It is like that old phrase about enlightenment, you know, the one
> about chopping wood and carrying water, both before and after. Same
> deal, dead or alive --no difference--.
>
> Death is just the word to mean the physical body dies. Has little to
> do with the real Us on our eternal journey. No worries, mate.

When I was doing my bardo retreat, we were supposed to sit with the  
vajra master as a group after each level of the practice and discuss  
experiences and get all questions answered. These were all advanced  
meditators with a lot of experience under their belts. And for some  
of them, when they consciously "died" it was quite overwhelming and  
not easy by any means. In several of the people all of the lokas  
arose at once--that means the lower dimensions as well as the  
"higher" and they would enter into them. The problem arises when  
people get *stuck* there. And it does happen to even the most  
advanced practitioners--sometimes hours, days, months or years. It's  
not only an extremely stable condition once you leave the body, but  
these are your own patterns, so they're very easy to be seduced by.  
If we hadn't received instructions on how to handle certain  
situations, I wonder if some would ever come back.

Most people when they experience the dawning of the Clear Light,  
their awareness will simply faint. A week later they figure out  
they're dead when they start spontaneously mentally "travelling".  
Some people won't even get this and swoon again.

"Through the bardo retreat, one is approaching an experience of space  
that is utterly beyond any interference or involvement by the human  
person, completely unorganized and undomesticated in any sense. It is  
totally naked, free-form, and unconditioned. It is naked because it  
contains not even the most subtle dualistic filter of subject and  
object. It is free-form because there are no concepts or categories  
to provide shape or interpretation. And it is unconditioned because  
it stands alone, not based on causes and conditions or leading to  
results, simply "as it is," without any reference to past or future.  
It is outside of time. This description suggests the danger to the  
meditator. Out of the anxiety of the "free-fall" of the retreat, one  
may seek ground in what arises, becoming fascinated by the colored  
figures, the mental imagery, and the visions that one sees, and begin  
to fixate, magnify, and indulge in them. According to Tibetan  
tradition, this kind of fascination can lead to the withdrawal from  
reality mentioned above. In this case, one mentally creates a world  
of one's own and physically enters into a state of suspended  
animation in which one remains for years, decades, or even  
centuries."  from "Secret of the Vajra World"

Tenzin Wangyal, who carried out a bardo retreat in the Bon context,  
provides the following illuminating comments:

I had heard stories and jokes about the problems people encountered  
while doing dark retreat, in which practitioners had visions they  
were sure were real. . . . In everyday life, external appearances  
deflect us from our thoughts, but in the dark retreat, there are no  
diversions of this kind, so that it becomes much easier to be  
disturbed, even to the point of madness, by our own mind-created  
visions. In the dark retreat, there is a situation of "sensory  
deprivation," so that when thoughts or visions arise in the absence  
of external reality testing devices, we take them to be true and  
follow them, basing entire other chains of thoughts on them. In this  
case it is very easy to become `submerged' in our own mind-created  
fantasies, entirely convinced of their "reality."

Until we try it and experience it, you never know. You've never seen  
everything. :-)


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