Great details Spraig.  Thanks.   I was definitely preaching to the
choir on classical guitars, you obviously know a lot more about them.
 I was particularly interested in the detail about Segovia not
performing with older guitars.  It is very common for folk and blues
musicians to prefer a guitar's sound after it has settled in for a few
decades.  Of course if it gets too pricey then they start leaving them
at home!  I guess Segovia's guitars really were antiques and not just
guitars that had aged a bit. Most of the guys playing the 1930's
resonator guitars or old Martins spend a great deal of time re-tuning
the old guitars while they play.  Sometimes it gets so distracting
that I wish they would give up some of the "authenticity" and get a
guitar with decent tuning pegs!   

Great darshon story about his concert.  Must have been amazing.  I
didn't realize that you were so into guitars.  I misread your
intentions about Segovia re-tuning while playing because most
performing artists end up doing this from time to time, myself
included, and I never seen to get any extra props for it!  Do you play
classical now?

Thanks for the new info on an amazing talent, Segovia.




--- In [email protected], "sparaig" <[EMAIL PROTECTED]> wrote:
>
> --- In [email protected], "curtisdeltablues"
<curtisdeltablues@> wrote:
> >
> > I use an Intellitouch tuner that is clamped to the guitar headstock
> > and takes the pitch vibration from the neck.  Because it does not rely
> > on the your ability to hear your own string it is very useful for
> > performance. http://www.tuners.com/pt1.asp  If you shop around the Net
> > you can get a better price.  You need to develop your ear, but you
> > also need to get to correct pitch quickly without dealing with all the
> > variables that effect your ear's ability to detect pitch if you want
> > to perform.  Go digital and save yourself a lot of pain.  It will also
> > improve your sense of pitch to be right one most of the time.
> > 
> >  I use a number of different open tunings in my shows as well as
> > standard tuning which I tune down a half step.  I wasn't sure if your
> > question was about tuning the guitar or different tunings.  Hope that
> > helps.  For Spraig, Segovia played gut strings that stretch more than
> > steel strings.  He also played vintage guitars that are more quirky. 
> > I think that is why he had to re-tune mid song.
> > 
> > 
> 
> Actually, Segovia enjoyed playing his vintage guitars at home, but
according to a 1978 
> interview, Jose Ramirez sent him new guitars every year starting in
the 60's. No-one gives 
> classical guitar concerts with antiques--guitars are far more
delicate than violins and just 
> don't age well or travel well for that matter. Also, Segovia
co-invented the nylon guitar 
> string with the DuPont family during WWII.
> 
> BTW, the design of the modern classical guitar was geared
specifically for Segovia, who 
> had larger than average hands, especially for a Spaniard.
> 
> Also, regarding the tuning issue. I've played $6000 guitars. Even
those are a little quirky. 
> As I said, for classical music, you need to fine-tune the guitar to
the piece you play--
> different sets of open strings and the average position that you
fret dictates where  you try 
> to balance the tuning for best results. Segovia would retune on the
fly as he performed--
> he may have been tuning to the piece or even to the section of the
piece, who knows? His 
> timing was amazing since he never missed a note while he retuned.
The one time I saw 
> him in concert, I was about 3 feet away from him at a tiny church in
England. He passed 
> within inches of me as he climbed to the stage. I was in the "front
row" with my knees 
> jammed over the edge of the stairs. I had to look under the railing
to watch him. 12 
> pounds for the ticket. The people in the choir box behind him only
paid 2 pounds (his old 
> friend was pastor of the church apparently and it was a fund-raiser
for the church I 
> believe). It was mind-boggling--I even got to shake his hand
afterwards and stammer 
> "thankyou" a half-dozen times. He looked me in the eye and nodded.
>






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