Not in a long time. I still have my guitar and now that I'm settling
into my new
place, I may
just start playing again. (mine is an '83)

What an amazing guitar!  You are playing a 10 string?  I have never
played one but I can't imagine my short troll fingers could manage the
wide neck. Big Joe Williams used to put 3 more strings on his guitar
by drilling holes in the headstock.  He doubled up some of the lead
strings to get more volume.  I use a high gage high E for the same
reason.  He also used to shoot off a pistol during his show if things
got too rowdy!  A long way from a lute performance.

I hope you get you fingers back on those strings. Playing guitar is
one of life's deep pleasures isn't it?  Vaj would agree.

--- In, "sparaig" <[EMAIL PROTECTED]> wrote:
> --- In, "curtisdeltablues"
<curtisdeltablues@> wrote:
> >
> > Great details Spraig.  Thanks.   I was definitely preaching to the
> > choir on classical guitars, you obviously know a lot more about them.
> >  I was particularly interested in the detail about Segovia not
> > performing with older guitars.  It is very common for folk and blues
> > musicians to prefer a guitar's sound after it has settled in for a few
> > decades.  Of course if it gets too pricey then they start leaving them
> > at home!  I guess Segovia's guitars really were antiques and not just
> > guitars that had aged a bit.
> Segovia apparently DID play one guitar for 25 years, according to a
collector's website, so 
> maybe I'm wrong, or maybe he retired it from concert life and played
it at home for a long 
> time. However, starting in 1961 he used Ramirez guitars and both he
and Ramirez said he 
> got a new one every year. Ramirez said he "traded in his old model"...
>  Most of the guys playing the 1930's
> > resonator guitars or old Martins spend a great deal of time re-tuning
> > the old guitars while they play.  Sometimes it gets so distracting
> > that I wish they would give up some of the "authenticity" and get a
> > guitar with decent tuning pegs!   
> You should watch a lutenist tune. It's a hoot. Even 400 years ago,
the reutining done by 
> lute players was considered a joke. You're right about the
gut-string thign. That's why 
> Segoiva wanted to use nylon strings. That and the fact that they
sound dead compared to 
> good nylon strings.
> I don't know that Segovia was tuning "to the piece" but I've noticed
that my own guitar 
> doesn't sound quite right if I do a low-fret tuning and I'm playing
a piece that has a lot of 
> high-fret action.
> > 
> > Great darshon story about his concert.  Must have been amazing.  I
> > didn't realize that you were so into guitars.  I misread your
> > intentions about Segovia re-tuning while playing because most
> > performing artists end up doing this from time to time, myself
> > included, and I never seen to get any extra props for it! 
> I've seen plenty of folk/rock guitarists tune while playing, but
they weren't playing Bach or 
> whatever. Segovia would tune during a rest, or a sustained note,
while in the middle of a 
> classical piece. He did it so fast, it looked like he practiced the
tuning. May have been a 
> way of showing off, who knows?
>  Do you play
> > classical now?
> Not in a long time. I still have my guitar and now that I'm settling
into my new place, I may 
> just start playing again.
> (mine is an '83)

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