--- In [email protected], "shempmcgurk" <[EMAIL PROTECTED]>
wrote:
>
> What makes both "Blade Runner" and "Alien" remarkable films is that 
> their science-fictionyness is really secondary; what the director 
> does in both films is concentrate on atmosphere and mood and 
> interweave a great story, dialogue and characters within the 
> atmosphere he has created. The futuristic stuff really is just 
> props that serve to support all the important stuff.

Exactly.

For a science fiction future to feel real, it has
to feel "lived in," as if the characters were living
in it and interacting with it the way we live in our
time, with almost no thought to the surroundings. I 
agree with you completely about Blade Runner and Alien;
that's part of the secret of why they're such good films.

That's why Firefly/Serenity is so cool. Serenity (the
ship) becomes almost a tenth character, the "glue" that
holds them together. It's old and patched-up and barely
does its job, but it does its job. It's the machine
counterpart of the outlaws who live in it, all of them
trying to find some meaning in living outside the law
on the fringes of an oppressive universe.

Sometimes you don't even need many props or special
effects to create a believable, "lived in" SciFi universe.
"A Boy and His Dog" springs to mind, as does "Twelve
Monkeys" and the film it's based on, "La Jetée." If a
SciFi film has to rely on its special effects to reach
an audience, it probably won't. Case in point, the fourth
Star Wars film, of which one wag of a critic said, "You
know you're in trouble as a director when your CGI actors 
are more interesting than your human ones."






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