One of my students posed a question to me today that I had never considered with Finale. How does one handle an instrument double. The example he had involved an arrangement that has a sax part that keeps changing between Soprano, Tenor and Alto. How does he put an instrument change in a Finale score?
[My suggestion was to create separate parts for the instruments in the score and then assemble a part after extraction, but that seems somewhat painful]
Any interesting suggestions?
Bruce Petherick
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