Ah ha!!! This latest suggestion worked like unto a charm. That is
exactly what I did, and those were the exact results. Look how much
I've learned this morning ... I even now know what and where the TG
tools are, and how to access them. Life is good again. Thank you all so
much!!
Dean
On Oct 25, 2004, at 11:25 AM, Johannes Gebauer wrote:
In fact, much simpler. Enter four quarter notes, select the measure
with mass mover, select TGTools Music->Tremolos..., (if necessary
enter the number of beams and the same number of beams connected to
the stems) and click go. Done.
I just did it, and it does exactly what is wanted.
Johannes
dhbailey wrote:
Simple put the half-notes in as 4 quarter notes and use mass-mover to
change the noteheads to open noteheads so they LOOK like half-notes.
Or define a tuplet so that 4 half-notes are played in the space of 2
half-notes, and omit the bracket and number.
Or uncheck the Check for Extra Notes option in either Speedy or
Simple entry.
David H. Bailey
Dean M. Estabrook wrote:
Well, I can see this, but there were a total of 4 half notes in each
measure, and I don't think the application would accept them into
one measure before you could do the smart shape lines. Am I missing
something? Otherwise, it sounds like a pretty quick workaround.
Dean
On Oct 24, 2004, at 7:29 PM, Noel Stoutenburg wrote:
Dean M. Estabrook wrote:
The accompaniment's first measure contained a measure of 4 16th
note groups in Common time. All the measures thereafter used the
shortcut of 2 halfnote noteheads occurring twice, of course,
beamed with 16th (or 32nd, I can't remember) beams. ... How does
one come up with the shortcut notation in such a case?
Well, one way to do this is to put in the two half notes on the
appropriate pitches, and define one (or more, if neceesary) smart
shape line to the appriate width(s), and us the smart shape lines
to create the beaming. I found this to be quite a pleasing method,
as the lines were note attached, and stretched, or contracted if
the notes were moved.
ns
_______________________________________________
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
Para m�, la m�sica es la respiraci�n de la vida y de Dios.
Per me, la musica � l'alito di vita e del Dio.
Pour moi, la musique est le souffle de la vie et de Dieu.
F�r mich ist Musik der Atem des Lebens und des Gottes.
Dean M. Estabrook
Director of Music
St. Andrew Presbyterian Church
Yuba City, CA
_______________________________________________
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
_______________________________________________
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
Para m�, la m�sica es la respiraci�n de la vida y de Dios.
Per me, la musica � l'alito di vita e del Dio.
Pour moi, la musique est le souffle de la vie et de Dieu.
F�r mich ist Musik der Atem des Lebens und des Gottes.
Dean M. Estabrook
Director of Music
St. Andrew Presbyterian Church
Yuba City, CA
_______________________________________________
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
