IN response to my comments about entering the parts for each instrument
on a separate staff, and combining them later,
Lee wrote, in part
As a conductor, I really dislike scores in which the winds are (usually
unnecessarily) split out into separate staves, as it's much harder to read.
prompting me to note that I do not mean to suggest that the winds
necessarily ought to be on separate staves in the finished product;
simply that in my view (and, perhaps, only my view) that if one knows
the winds are going to be on separate parts at some point anyway, it is
likely to be better to start with the winds on separate staves and later
combine them, then start with them on the same staff and later separate
them.
ns
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