Tyler Turner schrieb:
If 90% of Finale users will never get the bulk of their personal
compositions performed by real people, don't you think
something like GPO will be more attractive to them
than linked parts?
Johannes Gebauer wrote:
That is assuming that more than 90% of Finale users use Finale for
their own compositions - hardly likely. Probably more like 10%.
I don't know what percentage I'm in, but I use Finale only for my
compositions, I get my compositions performed by real humans, I
welcome the better user interface for playback, AND I want
dynamically linked parts and scores. Why can't we have it all?
dhbailey wrote:
The inadequacy has never been in Finale, the notation program. Only
in whatever devices we choose to play the files through, whether
Finale's provided soundfont, our own soundfonts or soundcards,
Kontakt or other soft-synth sample-playback software.
Just a kludge to obviate further responsibility on the corporate end
of things.
I must disagree here. When you are combining different synths and
samplers, soundfonts, patches, and samples from myriad sources, it is
unrealistic to think that there is a perfect level that works for all
your sounds for all situations. It's not the evil corporations, it's
the nature of sound and the unlimited ways of combining it.
In other words, you always have to mix at some level. I'm glad that
we will get easier control of this within Finale itself.
-Randolph Peters
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