On 15 Jul 2005 at 0:37, Darcy James Argue wrote:

> On 15 Jul 2005, at 12:22 AM, David W. Fenton wrote:
> 
> > In Finale you cannot select the 1st and 3rd of 3 notes in one
> > operation.
> 
> But you don't NEED to do this, is my point.  In Finale, you can select
> *and* apply the articulation with a single click (or drag-enclose
> operation).  So being able to select non-contiguous notes provides no
> absolutely *no additional benefit.*
> 
> If you have to click on a note or block of notes) to select it/them,
> you might as well apply the articulation you want *right away*,
> instead of selecting multiple non-contiguous blocks of notes and
> *then* applying the articulation.

I've already dealt with this:

1. the selection remains.

2. it is easily undoable, either by one UNDO buffer item, or by using 
the palette to turn off what you just did (or what you did yesterday 
to the same notes).

3. it makes it easier to selectively remove items that have already 
been applied.

For just plain articulation entry, no, the number of mouse clicks is 
not fewer. But I would argue that there's not much difference when 
you consider that you have to coordinate metatool keystroke with 
mouse click in Finale, whereas you don't need to in Sibelius (of 
course, I usually just hold down the key and click, so it seems 
pretty much identical, except for the question other whether you hit 
the number before or after you start clicking).

I recognized that the Sibelius palettes are much more limited than 
Finale's metatools.

But to me, the alternate selection behavior is a big advantage, and 
partly because it is consistent with non-contiguous selection of 
items in any number of other user interfaces. Finale simply doesn't 
provide non-contiguous selection, except for items that display 
handles at all times.

If Finale articulations had handles all the time like expressions, 
the Sibelius advantage would be gone, I'd say.

-- 
David W. Fenton                        http://www.bway.net/~dfenton
David Fenton Associates                http://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved

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