David W. Fenton wrote:
On 28 Oct 2005 at 16:08, Darcy James Argue wrote:
On 28 Oct 2005, at 3:41 PM, David W. Fenton wrote:
Can someone explain to me the musical circumstances in which a slur
between layers makes any sense at all?
Well, for starters, the first measure might have two layers and the
following measure only one. Happens all the time in piano music.
And why are Voice1/Voice2 not the correct solution, then? It's in
piano music that V1/V2 are most appropriate.
(snip)
While you're right in the context of the example, it's wrong to say "I
can't think of a situation where slurs between layers would make sense,
therefore it's not necessary". I've had many situations when messing
around with awkward aleatoric stuff where I'd have loved to have slurs
behave properly between layers. The 'musical circumstances' are not
necessarily the driving factor in deciding which notes are in which layers.
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