Just an aside question on this general topic. What is considered to be a
reasonable point size for vocal text, say, in Times? (I don't especially
prefer Times, but it is relatively narrow).

For printing convenience both for me and my clients I usually use 8.5 x 11
pages, and I use 85% page reduction (sometimes 80%).

Thanks,
John Roberts




 On 10/21/06 12:15 AM, "Mark D Lew" <[EMAIL PROTECTED]> wrote:

> 
> On Oct 16, 2006, at 9:30 AM, John Howell wrote:
> 
>> I'm used to reading orchestral music printed from 19th century plates,
>> where it is quite common to have as many as 12 bars or even more to a
>> line, and the parts are perfectly readable even by string players
>> sitting 2 on a stand.  (But of course they are laid out line by line
>> (or page by page) to assure that readability.)  On the other hand, I'm
>> always appalled by how wide the spacing is in standard piano or
>> piano-vocal editions, making many more page turns than might strictly
>> be necessary.  But that's what pianists are used to.  I suspect that
>> they are equally appalled at my piano parts, which tend to be much
>> more compressed because of my slight obsession with good page turns.
> 
> Not sure what you mean by "standard piano-vocal".  In my opinion the
> bulk of piano-vocal music printed in the past 20 years or so is
> unattractively loose.  Lots and lots of exceptions, of course, but the
> overall trend, I think, is toward a looser fit than was standard in the
> pre-computer days.  Personally, I don't like it.
> 
> It's not hard to guess why.  The software doesn't figure spacing very
> well, so the cost-effective way to (partly) avoid the problem is to
> just set everything looser.
> 
> The problem seems to be worse with contemporary pop music, where
> presumably less budget priority is given to engraving quality than in
> other fields.
> 
> mdl
> 
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