On 17 Jan 2007 at 14:46, Johannes Gebauer wrote: > On 17.01.2007 David W. Fenton wrote: > > In a similar example from a later period, it's pretty clear from > > surviving parts for Mozart piano concertos in Leopold Mozart's hand > > (I believe they are at St. Peters, and Cliff Eisen prepared an > > edition for B&H from them that was recorded by Robert Levin at the > > fortepiano, but I can't recall what period orchestra was involved -- > > I actually don't own any of these recordings) that there were oral > > ripieno/solo traditions even in that repertory, since Leopold's > > parts include some striking effects with solo/ripieno markings (not > > always simply corresponding to obvious loud/soft associations > > between tutti and solo). > > This is by no means knew research, it has been done. (I did actually > take part in one of the Levin CDs with AAM and Hogwood).
Well, Cliff Eisen was my dissertation advisor at the time he was preparing these editions, so I knew about it back then. That was only in the early 90s, which seems recent to me! It was certainly a revelation that opened a whole world of epistemological uncertainty for me, at least. -- David W. Fenton http://dfenton.com David Fenton Associates http://dfenton.com/DFA/ _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
