On 1/24/07, David W. Fenton <[EMAIL PROTECTED]> wrote:
The NMA, for instance, use thin wedges and plain vertical
bar strokes (they also failed to come to the right conclusion as to
whether they should be distinguished from dots and thus make
arbitrary choices in conveying the readings in many of Mozart's
autographs, where there is simply no bright line dividing dots from
strokes)...


Thank you David, but I meant some apparent reference to a Finale issue
or error that Robert Patterson's plug-in can cure. I'm asking about
the wedge issue, because I didn't know exactly what it was, or why
it's a bad thing. Obviously it's something to be avoided.

Thanks again,
Kim Patrick Clow
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to