Aaron Rabushka wrote:
Yep, theory homework is one animal, real music is another. I do remember
something (probably from Hindemith's harmony book) about it's being
permissible to double the third of a minor triad whereas it was forbidden to
double the third of a major triad. I remember being ecstatic at discovering
chez Ravi Shankar a system of melodic writing where that fourth DIDN'T have
to go down and that seventh DIDN"T have to go up. As to whether or not it
matters that Beethoven's first symphony violates Hindemith's rules of
composition, who cares?


Rules? Stealing a page from Pirates of the Caribbean, I always thought of them more as guidelines. :-)


--
David H. Bailey
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