Au contraire! Petrucci, in Venice, held a monopoly lasting 20 years on the printing of part music and lute tablature, with his first print ("Odhecaton A") appearing in 1501. And I think it was Tallis and his student, Byrd, who had Liz's monopoly on the printing of music and music paper, later passed on to Byrd and HIS student Morley.
yes, but i'm talking about performance royalties. that is mechanical (distribution) rights. although of course in some languages royalties means essentially rights without specifications as to WHAT rights and would have to be clarified in context.
-- shirling & neueweise ... new music publishers mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
