On Feb 18, 2007, at 4:38 AM, dhbailey wrote:

I was under the impression that the complaint had to do with pop songs not originally written for the musical Grease which were widely known in the 70s which were included in the musical for effect, and that no pop songs not originally written for the musical but were widely known in the 50s were used.

I thought someone might provide a list of 70s songs used in Grease.

Hmm, I'm sorry. I thought this would be self-explanatory, but evidently not.

The 1971 musical Grease, as written, has an entire scores of songs in the "50s style". As has been pointed out, all of these songs were actually written in the early 1970s, but they were written in imitation of the 1950s. It is, as John said, manufactured nostalgia. I have no problem with this. I love the show.

My objection is entirely with the 1978 movie adaptation of the show. (And, like almost any musical made into a movie -- or novel, for that matter -- the movie version is the one that quickly becomes the best known.)

For the movie, many of the songs from the musical were cut or relegated to background music at the dance. Instead, four new songs were added. In reverse order of offensiveness, they are:

* "Hopelessly Devoted to You" I think is actually a pretty good song, and I'd probably forgive it if it were the only intrusion, though it's not really a good fit in the story.

* "Sandy" is a mediocre and forgettable song which offends me primarily because it replaces "All Alone at the Drive-In Movie", which is one of my favorite songs from the show.

* For the final duet at the end, the original "All Shook Up" (another song I really love) is replaced by "You're the One that I Want". It and the title theme "Grease is the Word" both scream of the disco-ish style that was immensely popular when the movie was released in 1978 but has nothing to do with the 1950s setting. Those are the two I had in mind when I said the anachronism drives me crazy.

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On Feb 18, 2007, at 5:07 AM, Darcy James Argue wrote:

The songs in Grease are all anachronistic -- some more obviously than others (i.e., the disco beat in the title song), but even in those songs that are meant to evoke 1950's rock and roll, none of them would fool anyone who's even passingly familiar with the pop music of the era into thinking that they'd actually been written in the 1950's.

"Some more obviously than others" is a huge understatement. The Bee Gees disco of the title song is horridly anachronistic. It bears no resemblance to the 1950s at all and doesn't even pretend to. You're a better musicologist than I am, so I'll take your word for it that the faux-1950s songs of the original show are not sufficiently authentic to trick an expert into thinking they really were written in the 1950s ... but if you really hear no difference between the 'manufactured nostalgia' of 50s-style songs like "Beauty School Dropout" or "Greased Lightning" and the blatant disco of 70s-style songs "Grease is the Word" or "You're the One That I Want', then you're just nuts.

mdl
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