Noel Stoutenburg wrote:
When all is complete, BTW, I would create a duplicate score, and copy the material from ob to OB, and from trp to TRP &c, to create a separate "parts" score to permit extraction of each instrument's part on a single (set of) page(s).
You could add the ob to the OB part, extract it as a two-instrument part and optimise the unwanted flavour of oboe away in the part. I've done a similar thing when solo and tutti violins (even a string quartet at a distance) appeared together.
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