Hi Hiro,
Of course, for me too. This is a situation where I will not be there
to communicate in person, so I am making a little more investment in
the notation. As I said, I have little reason to doubt that the
player will understand the musical intention, if I notate it clearly.
Chuck
On Sep 5, 2007, at 7:42 AM, A-NO-NE Music wrote:
Chuck Israels / 2007/09/05 / 10:22 AM wrote:
Otherwise we are stuck with the inadequacies
of notation, none of which ever completely expresses what's in a
played (or spoken) language.
I believe this is a part of the game. You leave margin of
interpretation for performer's creativity, or write in as much as
possible to minimize the margin. I sometime rewrite sections after
rehearsal because the performer's interpretation was not synched
with mine.
In the end, notation is only a tool of communication, and the
margin of
the interpretation is a part of the creation process to me.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
<http://a-no-ne.com> <http://anonemusic.com>
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Chuck Israels
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