Are you thining of Thurston Dart?

Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
----- Original Message ----- 
From: "Raymond Horton" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Monday, September 10, 2007 3:09 PM
Subject: Re: [Finale] alto as tenor? now Brandenburg 2


> I wasn't just being funny with my "can of worms" answer.  The theory of
> horn in place of trumpet on Brandenburg 2 (BWV 1047) was presented back
> in the late 60s by one scholar who had latched upon a copy of a third
> generation part labeled horn.  There was an ensuing squabble, I believe,
> which trumpet players have always felt they won.  I'll try to find out
> more, if it matters to anyone.
>
>
> RBH
>
>
>
> > At 5:00 AM -0400 9/10/07, [EMAIL PROTECTED] wrote:
> >>
> >> Apart from the lack of surviving instruments at such high pitches
> >> (and the
> >> difficulty of playing extreme harmonics at these pitches) analysis of
> >> the
> >> counterpoint and instrumentation used by Bach in this work have led
> >> me to
> >> the conclusion that it must have been intended for the horn and not the
> >> trumpet.  Just compare the relative positions of the violin, oboe and
> >> recorder at the opening and the "trumpet" part must be an octave lower.
> >> And before anybody points out that the recorder part is an octave too
> >> high,
> >> it was standard practice to treat recorders (and flutes) as if they
> >> played
> >> at four foot pitch, even though they were now notated at sounding
pitch.
> >
>
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