On Oct 15, 2007, at 4:54 AM, Dennis Bathory-Kitsz wrote:
The arrow keys come into play extensively (including for
pitch changes), and I keep my eyes on the score (or gazing blankly
into
the distance when composing into Finale), and don't look at the screen
except when moving elsewhere in the score.
From the descriptions on this list over time, I suspect I may be
one of
the few folks who uses the "eyes off" method
I do most of my note entry "eyes off", though I've learned to take a
peek at the screen every once in a while so that I don't discover
I've been out of whack for the past 10 measures.
mdl
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