At 6:15 PM -0400 4/2/08, Darcy James Argue wrote:
On 2 Apr 2008, at 5:45 PM, John Howell wrote:

But replays of the original are just nostalgia. Covers or new approaches are what establish longevity, for me.

This isn't how the popular music world works. The original recording *is* the work. The vast majority of covers (well over 90 percent!) are vastly inferior. A work that is rarely covered has nothing to do with the quality of the original. Some songs lend themselves to multiple reinterpretations, and some don't.

I'm answering as an arranger, Darcy. I realize that to most people--certainly ordinary people but unfortunately some pretty good musicians, too, and including my own kids when they were teenagers--the original recording IS the work. But to an experienced arranger, the original recording is only one possible version and one possible arrangement of the work. Anyone who can't think outside that particular box isn't prepared to be an effective arranger, or at least not a creative one.

During the two seasons I worked with Disney, in the late '70s, my ultimate boss was Bob Jani, who was hired as creative vice president after Walt died. Creativity was his thing. He used to tell us, "Every day on your way to work, try to imagine at least 3 things that you see in a brand new way." He created the scenario for the opening ceremony for the Los Angeles Olympics, and then lost the job when he refused to guarantee that it could be brought in for under $2 million. The guy who did produce it, and got the credit for Bob's creativity, ended up spending $5 million!

Perhaps we have different ideas of what "cover" means. These days it usually does mean someone trying to duplicate the original recording, and while you're right that the result is most often inferior there's no reason it can't be successful and effective. I used the term without thinking, but what I mean is quite different, using the original material in a new arrangement with a different approach and usually arranging for different forces than were used in the original.

And John, I'm sorry, but the idea that "replays of the original are just nostalgia" is absurd. I listen to an awful lot of music that was written and recorded before I was born. How is that nostalgia? That's more along the lines of what I would call "musical literacy."

Well, as much as I honestly respect your thinking on most things, I guess we'll just have to disagree on this. Of COURSE anyone can get a lot of enjoyment out of "Golden Oldies," but they're still "Oldies" no matter how "Golden" they may be.

And I may have a university address these days, but I'm no stranger to the popular music world or how it works. I was a professional entertainer through the late '50s and the decade of the '60s, a member of and chief arranger for The Four Saints, and that includes the 4 years we spent with the USAF Band in D.C. Our recordings were released by both Warner Bros. and Decca, and we had a top-notch reputation within the business even though we never got the big break and never became a household name. We were working steady, up to 360 days a year, and I had to book my wedding and honeymoon with our agent! Most of our arrangements were original, taking advantage of our vocal and instrumental abilities, and very entertaining, and when we did do something that had been on the Hit Parade it was adapted to our abilities, not an attempt to duplicate the original.

After getting my master's in choral conducting and completing the course work for the Ph.D in musicology I accepted a job here to rebuild, direct, and produce a first-rate university show troupe, so I was right back into entertainment and back to touring on the road. I'm not doing that any more, so I'm not up to date on the current pop scene and not actively trolling for great ideas to adapt to my group, but I've been there and done all that.

Best,

John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to