I figure there's a lot of epxerienced strong players and orchestrators out 
there, and I've read some very good advice here before, so here goes:

Can anyone tell me (as much as it is possible to describe something like this) 
on an orchestral string instrument what effect applying the mute has on 
harmonics, artificial or natural?  Does it even have much of an effect?  Or 
does it even cause problems in the playing of them?

Similarly, what effect does the mute have on sul pont.?  

If anyone can even point me in the direction of pieces that make use of either 
or these (with mute) I'd be grateful.

Cheers, 

C.

--
Colin Broom
--



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