dc wrote:
There are countless places where one has to make such choices. On what
basis does one choose the note that's moved?
Here are 2 rules that you might want to follow in extremely polyphonic
music:
1. Main (=slowest) values should be vertically aligned
2. No stem from one voice may crash into a notehead of another voice
Chlapik (pages 59-62) also contains many good (and sometimes extreme)
examples on how to split voices. But as David says, there are also many
situations where you can solve it in many different ways.
Best regards,
Jari Williamsson
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