Interestingly enough the piece for which I am considering this effect has 1 D-trumpet (or E-flat if the player prefers) and 2 fluegelhorns. We'll see if I wind up giveng the effect to any or all of them.
ajr ---- John Howell <john.how...@vt.edu> wrote: > At 10:58 AM -0400 3/15/10, dhbailey wrote: > >timothy.price wrote: > >> > >>As radical an idea as actual experimentation > >>may be, I tried it on my trumpet, and by gosh, > >>you get a much louder sound > >>using the reversed mouthpiece. Imagine that ! > >> > > > >But you also get a different timbre, so it's a > >trade off and which you prefer would depend on > >the sound you want. > > Gee, do you get a different sound on C trumpet > than you do on Bb trumpet? How about Flügelhorn? > > (Sorry; tongue very definitely in cheek--and it's > hard to triple-tongue that way! But this is > almost starting to sound like a P.D.Q. Bach > routine!) > > John > > > -- > John R. Howell, Assoc. Prof. of Music > Virginia Tech Department of Music > College of Liberal Arts & Human Sciences > Blacksburg, Virginia, U.S.A. 24061-0240 > Vox (540) 231-8411 Fax (540) 231-5034 > (mailto:john.how...@vt.edu) > http://www.music.vt.edu/faculty/howell/howell.html > > "We never play anything the same way once." Shelly Manne's definition > of jazz musicians. > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
