This may be one of my kludges..
I make the key sig. independent in that part, change the part's key sig to C 
with keep notes enharmonically, transpose notes if needed still. 
Steve P. 

On 29 Jan 2011, at 14:34, <[email protected]> wrote:

> I have only recently gotten used to processing parts from within the main  
> Finale document; I just had a case where an orchestration project made me 
> enter  everything in "C" and then transpose.  Now that I know the "display in 
>  
> concert pitch" tab is in the document menu, this isn't a problem, however 
> for  things I've already inputed...
> 
> I went back this morning to change my horn in F and trumpet in Bb parts for 
> proper printing.  It's a Verdi banda part, so I wanted to have a similar  
> look to their regular opera parts, i.e. no key sigs.  Why is it that after  
> I applied my transposition, the moment I hit "ignore key signature" it 
> applies  an additional transposition?  Logically this should make the key sig 
> go  
> away and then replace everything with accidentals.  NOT move notes  around. 
> Perhaps I need a new rubric; could someone give me a better list  of steps 
> if one needs to "attack" a part in this manner?  What was weird is  that 
> the horn part acted differently than the trumpet even when following the  
> same 
> exact steps.  (The key of the piece was Eb, by the way, which may  account 
> for the minor third extra transposition that happened when I hit the  
> "ignore" button).  I tried doing steps one at a time, as well as doing the  
> transposition and ignore all in one step.  Various havoc followed.   After 
> the 
> screaming stopped, I somehow coaxed the notes and accidentals to where  they 
> needed to go, but it was maddening to have natural signs where none were  
> needed, and then no accidental when it clearly WAS needed.  
> 
> Any advice?  Other than I should do some deep breathing  exercises?
> Michael Wittenburg
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