At 7:11 AM -0500 5/14/11, Robert Patterson wrote:
Context being key was why I was looking for examples in rep. BTW I found
that very B in La Valse in the bar before reh. number 66. (But it also looks
like an arco indication may be missing 4 before 66.)
I had a friend of mine do it for me yesterday. It didn't seem to be a
problem. Obviously it's all attack and no decay, but there was both plenty
of sound and plenty of pitch. I think it will work well for me. I want to
add zing to the attack on a flute sfz note.
I would agree: a perfect context for it.
John
--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411 Fax (540) 231-5034
(mailto:[email protected])
http://www.music.vt.edu/faculty/howell/howell.html
"We never play anything the same way once." Shelly Manne's definition
of jazz musicians.
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