I will have to study the f**king manual about that, cause I'm still addicted
to the standard way main score > extract parts and did not get deep in that
matter (mainly because I did not need too much part generation since 
years until today :-( )
Thanks for help

Il 05/06/2012 12:00, David H. Bailey ha scritto:
> On 6/5/2012 4:34 AM, Marcello Noia wrote:
>> I made a bigband score using the Finale template in Jazz font.
>> When I extract the parts, all of them at the same position sort out with a
>> multimeasure rest of 36 bars until the end of the piece when they should
>> all have notes instead.
>> I cannot understand where the problem could be.
>> Thanks for hints
>> Marcello
>
> Lawrence Yates has a helpful suggestion for you, but I was wondering why
> you are extracting the parts and not simply working with them as linked
> score/parts?  I realize that you should be able to get good results
> either way but I am truly curious, since linked score/parts was one of
> the biggest new capabilities of Finale in recent years.
>
>
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